Immediately upon hearing the first track, “Rewind,” it was evident to me that their vocals are ear-catching and certainly unique to this band. The singer has a remarkable voice, almost haunting in a way. It reminds me a lot of bands who have been successful in years past. In my opinion, this is what is going to draw people into their fan-base. We all love those types of songs, the ones that get incessantly stuck in your head with no signs of letting up.

The second track on the EP I find to be the most notable, entitled “Believe.” The chorus is so catchy that I found it stuck in my head for days after just listening to it once. Obviously, I was back for more and you will be too. I believe that these guys are here to stay, they already have proven that with this EP and I cannot wait to see them progress.

It’s no secret that the band members love touring and recording both, equally- that is apparent in their exuberant smiles onstage and ridiculous excitement in the studio. They don’t tire of the cycle, a common trend with artists that are pushed to create, create, create and tour, tour, tour in a limited amount of time.

Rock N’ Roll Romance, however, is a bit of a hit and miss for a minority of their fans, myself included. Since the July premiere of lead single, “Have a Nice Day” (check out their lawn party music video, also premiered yesterday), I’ve progressively lost interest. Then came the mid-August announcement that the album was to be pushed back a month.

Nonetheless, the album sounds like an accomplishment. Such a fact cannot be denied- the guitar solos are glitzier, the rhythms are distinct, and Cameron Melnyk’s vocals are a lighter embodiment of that West Coast crunch (think Theory of a Deadman, The Veer Union). Despite complaints, it’s no “poppier” than its predecessor- remember the chart-topping chorus of “Money Honey”?

The lyrical theme of the album is a continuation of Life, Love & Lies, but with more sex, drugs, and glam. Apparent from their previous efforts, State of Shock excel at ballads, and fans will be gifted with “Innocent Girl”, “Mary Goes ‘Round”, “Last Call” and “Used to Be” this time round. “Wish I Woulda Wowed U” catches their audience with an anthemic swing. Although a little too layered at times, the gang vocals are well executed overall. Dirtying it up with fast, catchy hooks in “Gone N’Done N’ Did It”, then slowing it down before ending on a high note for the title track; the Romance feels whole.

upcoming tour dates
physical album and merch
digital on iTunes

State of Shock is Cameron Melnyk (vocals), Alison Toews (bass), Jesse Wainwright and Simon Clow (guitars), John Philippon (drums).

No, Austra’s premature success was brought on by an equally Canadian-American indie crowd whose only deceit can be found in their over-indulgence of obscure acts for purposes of boosting one’s self-image. While Canada may have had a week’s advance on Feel It Break, fans on the southside of the border wouldn’t have anticipated the release any less than their northern neighbours if they had not been given a headstart. (Sincerest apologies to you Brits and continental Europeans; I’m simply not up-to-date about events on the other side of the pond.)

The opening track, “Darken Her Horse”, begins with an abrupt vocal entry, an opportunity for lead vocalist Katie Stelmanis to establish her presence immediately. An isolated, reverberating chord is joined by other sparse, repetitive effects as the accompaniment layers into the chorus. Here the vocals become choral and warmer than before, comparatively speaking. To call Austra a warm-sounding group is quite impossible. Equally inappropriate is to allot the bridge “soaring harmonies”, but despite their dark tone, such is achieved. For these reasons, the band can expect a decent level of respect from their fans and casual listeners alike.

The second track- and second single- has a lighter, more-sparkly intro. (Mind you, we’re still talking on the more solemn side of the spectrum.) Minimalist lyrics are vague, wary of the departure of a significant other and perhaps the arrival of another… significant other? Five-finger scales commence on “The Future” to a subdued, determinate percussive beat and become the recurring theme on the 4-minute track, with a similar atmosphere to its predecessor. The end harmonies are slightly dissonant, producing an eerie finish and putting an end to the subtle optimism for the next track.

“Beat and the Pulse”, the lead single, and its webbed/winged dancers (video NSFW) were a huge hit from their premiere, over three months ago. Still up to debate is the trio’s musical style, which has been labelled anything from goth pop to witch house. There is a definitive New Wave element to their atmospheric backdrops, while Stelmanis’s previous operatic vocal training is a key contributor to the sustained haunting effect present in her singing (source). As far as comparisons go, in my limited experience with this musical genre, I am tempted to say How to Destroy Angels on the industrial extreme and Zola Jesus, leaning towards the pop side. Austra is a wonderful gem for anyone who enjoys gothic, Dark Wave subgenres or has an affinity towards deeper, more soulful pop.

Mid-album tracks, “Spellwork” and “The Villain” delve into stronger beats and a bit of jangle, reminiscent of Depeche Mode in the late ‘80s. Along with bubbly-accusatory “Hate Crime”, the former also sacrifices a little vocal sensitivity for raw feeling. Very post-grunge. In contrast, “The Choke” brings out insistent piano accompaniments, showcasing versatility and a softer, more emotional vocal line. Returning to “The Villain”, for I must praise it further, especially the bass line. Apart from sporadic hi-hat and ride cymbal, bassist Dorian Wolf provides the only driving rhythm until Maya Postepski’s entry with the rest of the kit.

“Shoot The Water”’s moving accompaniment answers the call for much-needed variety at this point in the album. Stylistically, it is the outsider, with uptempo piano accompaniment, in the manner of soundtrack music to a locomotive scene in a silent movie. (Which, frankly, is too many words to describe a simple thematic idea, but it was too visually charming a description to avoid.) The track is this way until the end, unlike previous songs with segmented movements.

Feel It Break is concluded with two tracks, one titled “The Noise”, the other “The Beast”. The former employs conversing vocals, at least in pitch and what seem to be electronically modified handclaps. The latter is piano-driven from the start, once again in that locomotive style. Stelmanis’s vocals in this finale are astonishing and stronger than ever; almost like a vocal bugle call of sorts (here I’m thinking “The Last Post” or “Taps”). Nice chordal end, but shortly after there is a wisp of piano. Maybe it’s a “to be continued” or a clumsy hand on the keyboard… eh, maybe it’s an inside joke. Nonetheless, it’s a heart-stopper, one of the standout tracks, which include “Beat and the Pulse”, “The Choke”, “The Villain”, and “Shoot The Water”- oh, I’m fully aware that accounts for half the album.

Track list

01 Darken Her Horse
02 Lose It
03 The Future
04 Beat and the Pulse
05 Spellwork
06 The Choke
07 Hate Crime
08 The Villain
09 Shoot The Water
10 The Noise
11 The Beast

Purchase this album digitally on iTunes or via Domino Records.

Tour dates

The trio visits Lee’s Palace in Toronto on Thursday night (the 19th), before swinging into the Northeast States (CHI, NYC, BOS). They return to Quebec/Ontario for three more shows as follows before embarking on a June-July European tour:

May 26th – Montreal @ Il Motore
May 27th – Ottawa @ Ritual Nightclub
May 28th – Waterloo @ Starlight Social Club
All dates here.

Austra is: Katie Stelmanis (vocals, keys), Maya Postepski (percussion), and Dorian Wolf (bass); live additions: Ryan Wonsiak (keys), Romy and Sari Lightman (backing vocals). Official site.

Californian alternative rock outfit, I Am Empire released their second studio album today on prominent Seattle label Tooth and Nail. Kings borrows techniques from the wave of arena rock that has mounted charts recently; the sounds of My Chemical Romance, 30 Seconds To Mars, and Kings of Leon. It’s a shame they’re not better known.

“Heart Attack” is explosive and catchy, featuring some intricate guitar work from Andrew Stanton, while immediate fan favourite, “Saints & Sinners”, possesses all the makings of a scream punk hit a la Alexisonfire, only fresher. The chorus attacks, “How can you be a saint when you’re a sinner like me?” atop riveting vibrato chords. The next two “&” songs complete the trilogy on a lighter, funkier note.

Two original songs that brought them to media attention in 2008, “The Elevator” and “You’re A Fake” have been rereleased, encasing the two ballads of the album, besides the closing lullaby, “It’s Not Fair”. Contrast is present, at a level slightly above what would normally be expected for a band of similar style.

But it is their new lead single, “Brain Damage”, with its epic “We are the sons and daughters” chorus and amusingly memorable hand motions that contagiously accumulated upwards of 10,000 hits on YouTube. (Twice the number Tooth and Nail videos regularly get- and in the last five days, as well.) Austin Lyons, you’re an eccentric one, but undeniably adorable. The video itself is nothing much; a straight 2:41 minutes of the band performing in a… forest? See for yourself.

The five-piece were an instant hit in their hometown of San Jose, gaining the attention of major radio stations, magazines, and Myspace surfers. But it’s no wonder they were popular from the start. A definite roots rock influence can be heard, masked over by (this can’t be stressed enough) impressive guitar for such a young group. Their next steps will be developing a more distinctive sound for a listener to identify- “yes, this is I Am Empire”.

Track list
01 Brain Damage
02 Heart Attack
03 Saints & Sinners
04 Hammers & Anvils
05 Love & Despair
06 To The Moon
07 The Elevator
08 Dig You Out
09 Take Me Away
10 You’re A Fake
11 Foxhole
12 It’s Not Fair

Purchase this album digitally on iTunes or via Tooth and Nail.

I Am Empire is Austin Lyons (vocals), Andrew Stanton (lead guitar), Joshua Case (bass/vocals), Dan Otis (rhythm guitar), and Eric Martin (drums). More info / Myspace.

Their album Cross Your Fingers, released on July 20th, is their first release since signing with Fearless records after putting out a demo/EP independently, and their looking for a good start as part of one of the industries leading labels.

This album has something for everyone who enjoys the post-hardcore genre and can definitely give you some hope for the future of this band. They put out a constant energy in their music and have numerous twists and turns throughout songs that jump from quick paced electronic based chorus’s to the heavy, start-swinging-your-fists breakdowns that can send waves of excitement through your body (notable tracks like He’s Dead Because Mommy Killed Him, and The Midnight Society).

Even with all the aforementioned awesomeness, there are still a couple flaws that definitely put a damper on the album. Once the initial “awe” factor fades away the songs can tend to draw out a bit and take away from the experience overall. Certain songs have a repetitive factor that seems to turn a 3 minute song into feeling like a 5 minute one, most notably Run Away.

Another of the smaller flaws I found was the way the songs seem to mesh together. There was a shortage of creative differences between songs and I found myself looking back to my iTunes to notice I had gone through three songs when I still thought I was listening to one. They would do well to look at some bands that excel in differentiating their sound throughout an album, like Greeley Estates most recent album No Rain, No Rainbow.

All in all this was still a good enough album and definitely gives me something to listen to until the new Word Alive album comes out, but there are still some flaws people might find that could turn them off of this band. I look forward to their future and hope they progress even further as a more influential part of this genre.

Notable Tracks:

Favorite Liar

Never Leave Northfield

If I Wanted Your Two Cents I’d Rob You

The seasons are changing faster than we know it, and now Summer is on the rising. What a better way to bring in the Summer weather than Minus The Bear’s new album OMNI which will be released in stores on Tuesday, May 4th 2010 with their new record label, Dangerbird Records. After their last record release, Planet of Ice, your left guessing what would they have in store for their fans next because of their drastic style change; here is your chance to find out!

The track “My Time” introduces you into the record, which after the repetitive percussion, your brought into a different sound to Minus the Bear. This sound isn’t something familiar to their former records, but rather them all combined together. It has a retro-modern beat, combined with the classic vocals of Jake Snider. The Summer breeze runs through as “Summer Angel” approaches, reminding you most of their record Menos El Oso with the higher pitch chords and mesmerizing rhythm. The unusual quality behind Minus the Bear is their ability to make you fall into their music, physically and mentally, as the lyrics “My summer angel keeps me on the run”, you are reminded of this attribute. The next track, “Secret Country”, will then go on to remind you of Planet of Ice with the increased amount of percussion and deeper but brilliant guitar riffs. The track “Into the Mirror” which was streamed on their MySpace page on October 9, 2010, had caught the attention of most fans. This is one that will show you the combination between the two former records, because of the not only percussion increase, deeper guitar riffs, but also the additional high pitch chords that were the highlight to Meno’s El Oso. “Into the Mirror” didn’t only remind you of vintage records, but vintage years of the 80’s with the use of a synthesized violin. And they didn’t only include a catchy chorus, but also a female vocalist by the name of Erin Passmore from the canadian band Sylvie. Let’s begin to rewind as “Animal Backwards” comes on, the unique percussion used most in this track was the rewinding of the guitar riffs creating a brilliant beat and electronic use. “Fooled By The Night” escorts you out of OMNI on a softer note, an intro that involves an organ effect, and chimes then builds up to a sexy melodic guitar riff which includes an acoustic rhythm in the background. “Fooled By The Night” has a very soft and also a very sinister feel, which leaves you wanting more.

Minus the Bear is obviously not afraid of change, and they show this in their last three albums all being completely different. Though this album I believe is a combination between the first two, it creates a more retro sound that you haven’t heard before. They are increasing their knowledge in their music, and their abilities, that is obvious throughout the records. I’ll always believe that Menos El Oso was their best album, but OMNI had covered the grey areas that they lacked in Planet of Ice. Many of Minus the Bear fans had not been fans to their album Planet of Ice, but they had introduced themselves to a new set a fans. Now, OMNI has come in and has the ability to gather the old, the former, and the new. The positives of this album is the fact that they still carry their unique qualities, and combined the attributes that both sets of fans enjoyed from their albums. And the negatives on OMNI were the fact that not all the tracks were able to grab your attention, and some are very similar to others, but the fact that Minus the Bear had the courage to make an album that every song was longer that 4 minutes shows how hard they worked on this record. Check out their album OMNI in stores this Tuesday! Also, Minus the Bear are currently out on tour around the U.S until May 29th 2010, for more details on dates and venues, read further or find out if their playing in your city on their MySpace page.

OMNI’s Album Review by Shannah Lauren

Best Tracks: Summer Angel, Excuses, Into the Mirror, and Animal Backwards.

May 5th 2010: Boston, Massachusetts @ Wilbur Theatre
May 6th 2010: Philadelphia, Pennsylvania @ Trocadero
May 7th 2010: Washington, Washington @ 9:30 Club
May 8th 2010: Richmond, Virginia @ The National
May 9th 2010: Charlotte, North Carolina @ The Fillmore Charlotte
May 10th 2010: Atlanta, Georgia @ Variety Playhouse
May 11th 2010: Fort Lauderdale, Florida @ Revolution
May 12th 2010: Tampa, Florida @ The Ritz Theatre
May 14th 2010: Houston, Texas @ House of Blues
May 15th 2010: Dallas, Texas @ Granada Theatre
May 16th 2010: Austin, Texas @ La Zona Rosa
May 18th 2010: Albuquerque, New Mexico @ Sunshine Theatre
May 19th 2010: Las Vegas, Nevada @ House of Blues
May 20th 2010: Los Angeles, California @ Mayan Theatre
May 21st 2010: Pomona, California @ Glass House
May 22nd 2010: San Diego, California @ SOMA
May 23rd 2010: Tempe, Arizona @ Marquee Theatre
May 26th 2010: San Francisco, California @ Regency Ballroom
May 27th 2010: Reno, Nevada @ Knitting Factory
May 28th 2010: Portland, Oregon @Roseland Theater
May 29th 2010: Quincy, Washington @ Sasquatch! MUSIC Festival (Sold Out)

 The album opens with the track, “Truth sets in”.  The song exemplifies the psychedelic vibe present throughout the entire album, and every now and again I could compare Avi’s vocals to that of Andrew Vanwyngarden of MGMT.  Combined with the seemingly natural instrumentals, it makes for some feel-good listening! Perhaps a song made for listening to with every window in the house open, “Summer Cum” perfectly pairs a mellow tune with witty lyrics.  But don’t think that this quartet stops there; I was pleasantly surprised to find the voice of Rebecca Coleman, vocalist and keyboardist for the band, simply mesmerizing.  In “One Last,” the pair’s vocals come together to form a perfect, moody harmony. 

 Avi Buffalo is sure to go places if they keep putting music of this caliber out!  The band’s already loyal following continues to grow, and they will be touring for the majority of this year.  And if the decade bending tracks don’t have you quite convinced, the album also dons original band artwork.

 - Album Review by Tara Gardner

 19 Apr 2010 Phoenix, AZ Trunk Space – All Ages

21 Apr 2010 San Diego, CA Casbah – 18 Yrs+

23 Apr 2010 San Francisco, CA Independent – 21 Yrs+

26 Apr 2010 Long Beach, CA Fingerprints – ALL AGES

27 Apr 2010 San Luis Obispo Boo Boo Records – ALL AGES

28 Apr 2010 San Francisco, CA Amoeba Records – ALL AGES

29 Apr 2010 Santa Barbara, CA Jensen’s – ALL AGES HEADLINE SHOW

01 May 2010 Los Angeles, CA Troubadour – All Ages

RECORD RELEASE SHOW W/ VOICEsVOICEs, The Wailing Wall

13 May 2010 Brighton, UK The Great Escape Festival

14 May 2010 Minehead, UK All Tomorrow’s Parties Festival w/ Pavement SOLD OUT!

15 May 2010 The Hague, The Netherlands Walk The Line Festival

16 May 2010 Brussels, Belgium Le Grand Salon – Les Nuits Botanique

18 May 2010 Paris, France Reservoir Club

20 May 2010 Hamburg, Germany Molotow

21 May 2010 Berlin, Germany Bang Bang Club

23 May 2010 Amsterdam, Netherlands Paradise w/ The Ruby Suns

24 May 2010 London, UK The Old Blue Last

30 May 2010 George, WA Gorge Amphitheatre Sasquatch! Music Festival

June 18 2010 NXNE (SOLO) Toronto, BC W/ AA Bondy

June 19 2010 NXNE @ LEE’S PALACE Toronto, BC W/ Cold Cave

July 2 2010 ROYAL OAK THEATER Royal Oak, MI w/ Modest Mouse

July 3 2010 SUMMERFEST Milwaukee, WI w/ Modest Mouse

July 4, 2010 80/35 MUSIC FESTIVAL Des Moines, IA

July 6 2010 KANSAS CITY GRINDERS Kansas City, MO w/ Modest Mouse

July 23 2010 CRYSTAL BALLROOM Portland, OR W/ Blitzen Trapper

July 27 2010 FIRST AVE Minneapolis, MN W/ Blitzen Trapper

July 28 2010 TURNER Milwaukee, WI W/ Blitzen Trapper

31 Jul 2010 Montreal, Canada Osheaga Music Festival w/ Arcade Fire, Pavement, Beach House, Blitzen Trapper

August 3 2010 OPERA HOUSE Toronto, BC w/ Blitzen Trapper

August 4 2010 MAJESTIC Detroit, MI w/ Blitzen Trapper

August 5 2010, THE VOGUE Indianapolis, IN w/ Blitzen Trapper

04 Sep 2010 Monticello, NY ATP New York Festival w/ Sonic Youth, Iggy & The Stooges

The Wild one may be short but provides some great tracks and a sound that may have not been so present in the past. The band has definitely matured and the new EP has some great highlights. I would say my favorite track off the album would be the title track “Wild One” and it is the one that differs most from their past in a good way. Ned Bower actually takes on the lead vocals for the track and it provides a jazzier sound to the track that we normally haven’t heard.
My other favorite track that really portrays the sound the band has come to be known as is the opener to the EP “Suckceed” which has a great introduction that seems to be sang by the whole band.

If the work on this EP is anything like what their next full length album will bring later this year, this band will definitely be regaining the following they had before and adding a great amount of new fans to their roster!

Possibly sounds like: Wild Sweet Orange, Augustana
Out of 10: 9/10
Track Listing:

1.Suckweed
2.I Don’t Understand
3.Wild One
4.The Days Keep Going By

I thought that they could have opened up the album stronger, but as I listened to the remainder of the record, I realized each track had its own specific highlights. The second track, “A Lifeless Ordinary”, showcases the improvement of Justin Pierre’s vocals as well as guitar riffs, and both tracks “Disappear” and “Delirium” included captivating choruses. As “Pulp Fiction” arrives, you’ll be brought back into the 90’s pop-era with a similar sound to The New Radical’s hit “You Get What You Give”. And when “Hysteria” comes through, you’ll take a step forward to the sounds of their former albums. Furthermore, they also embrace features that are comparable to other artists, for example the track “Stand Too Close” includes the similar sounds to the band Sherwood with their easy-listening-pop, driven by simple acoustic guitars and very catchy clap line. In addition, the track “@!#?@!” shows an older, bouncy, pop-punk root like the vintage style of the bands Green Day, New Found Glory and coincidentally Blink 182. This record was saving the best for last with “The Weakends”, including mesmerizing features such as brilliant guitar riffs, a rigid set of lyrics that captures your attention, and a snare that adds a great punch to the track.

My Dinosaur Life doesn’t reach perfection, but what I love most about this band is they don’t write what’s currently hot. However, their passion and belief in themselves drives them enough to continuously write a good record. I feel as if the album itself may have been slightly rushed, due to the fact that they only spent a year creating, working, and producing this album which will be released January 19, 2010. Motion City Soundtrack will enjoy a successful release as fans eagerly await to hear what they have created, and for what’s in store for the next chapter.

-Shannah Lauren

My Dinosaur Life Track Listing:

1.     Worker Bee
2.     A Lifeless Ordinary (Need A Little Help)
3.     Her Words Destroyed My Planet
4.     Disappear
5.     Delirium
6.     History Lesson
7.     Stand Too Close
8.     Pulp Fiction
9.     @!#?@!
10.  Hysteria
11.  Skin And Bones
12.  The Weakends

Check out Motion City Soundtrack on tour w/ Weezer:
January 18, 2010: West Babylon, NY (Looney Tunes In-Store)
January 19, 2010: Boston, MA (Newbury Comics Instore)
January 20, 2010: Fords, NJ (Vintage Vinyl Instore)
January 21, 2010: Aurora, IL (Best Buy Instore Performance & Signing)
January 22, 2010: Bloomington, MN (Best Buy)
January 23, 2010: Minneapolis, MN (First Avenue)
January 25, 2010: Grand Rapids, MI (The Intersection)
January 26, 2010: Cincinnati, OH (Bogarts)
January 27, 2010: Cleveland, OH (House of Blues)
January 29, 2010: Pontiac, MI (Clutch Cargo’s)
January 31, 2010: Pittsburg, PA (Mr. Small’s Theater)
February 01, 2010: Towson, MD (Recher Theater)
February 03, 2010: New York, NY (The Fillmore at Irving Plaza)
February 04, 2010: Hartford, CT (Webster Theater)
February 06, 2010: Charlotte, NC (Tremont Hall)
February 08, 2010: Atlanta, GA (Masquerade)
February 10, 2010: Dallas, TX (The Prophet Bar)
February 11, 2010: Austin, TX (Emo’s)
February 12, 2010: Tucson, AZ (Rialto Theatre)
February 14, 2010: W. Hollywood, CA (House of Blues)
February 15, 2010: Anaheim, CA (House of Blues)
February 16, 2010: San Francisco, CA (Regency Ballroom)
February 20, 2010: Brisbane, Australia (Brisbane Soundwave Festival – RNA Showgrounds)
February 21, 2010: Sydney, Australia (Sydney Soundwave Festival – Eastern Creek Raceway)
February 26, 2010: Melbourne, Australia (Melbourne Soundwave Festival – Melbourne Showgrounds)
February 27, 2010: Adelaide, South Australia (Adelaide Soundwave Festival – Bonython Park Oval)
March 01, 2010: Perth, Australia (Perth Soundway Festival – Steel Blue Oval)
March 04, 2010: Tokyo, Japan (Akasaka Blitz)
March 07, 2010: Nagoya, Japan (Club Quattro)
March 08, 2010: Osaka, Japan (Big Cat)
March 23, 2010: Leeds, UK (The Cockpit)
March 24, 2010: Oxford, UK (O2 Academy)
March 26, 2010: London, UK (Electric Ballroom)
March 27, 2010: Manchester, UK (Academy 2 @ Manchester University)
March 28, 2010: Birmingham, UK (O2 Academy 2)
March 30, 2010: Glasgow, UK (Oran Mor)

You Me At Six has many unique qualities but when it came to Hold Me Down, I believe that a lot of the tracks sounded quite similar, and only a few have grabbed my attention. Although the album is very good, I feel their ultimate musical ability is yet to be achieved. Overall, Hold Me Down is a great record with a similar sound to the likes of The Audition and Dear And The Headlights, combined. This being said, I believe that this record will not only hold onto the fans they have established to date, but widen their admiring horizons. Keep your eyes peeled for these boys, as they have just completed their trek on the AP Fall Ball Tour and will be making the rounds on Warped Tour 2010.
Band Members:

• Josh Franceschi- lead vocals
• Max Helyer – rhythm guitar
• Chris Miller – lead guitar
• Matt Barnes – bass guitar
• Dan Flint – drums

Best tracks: Underdog, Stay With Me, Liquid Confidence

For fans of: Mayday Parade, The Audition, Dear And The Headlights